Judge Dredd Megazine 298
Saturday, 19 June 2010 00:00
Judge Dredd Megazine 288
Featuring:
Review by Richmond Clements

Cover by Simon Fraser

Alex Frith: Gorgeous, just gorgeous.

Thrill 1

Judge Dredd - Meat
Script: Rob Williams - Art: Dylan Teague - Letters: Annie Parkhouse

Judge Dredd
Tsk. Next time he'll remember the seat-belt...

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Thrill 1

Tales of the Black Museum - Dead Man's Gum
Script: Michael Carroll - Art: Smudge - Colours: Eva De La Cruz - Letters: Simon Bowland
Tales of the Black Museum
Of course not...

Richmond Clements: What this story has for me (apart from the splendid art by Smudge), as a tremendous sense of escalation. Things start off silly and just get madder as they go along, and Carroll is clearly having as much fun coming along for the ride as the rest of us.

These Black Museum strips, for me, can be pretty hit and miss. The best ones - like Abnett’s haunted heatseeker one or this - work for one simple reason: they are stories that could only take place in Mega City One.

Thrill 3

Lilly Mackenzie and the Mines of Charybdis - Part 1
Script & Art: Simon Fraser - Colours: Gary Caldwell - Letters: Simon Bowland

Lilly Mckenzie
The newbie arrives...

Richmond Clements: I’ve read some of this previously on line. But y’know, there’s always something better about having a comic strip on real paper (this is no time for a debate on the subject, I know, but it was just something that occurred to me while reading).

This is a nice first episode that does an excellent job at introducing us to the characters and setting up their world. 
The art is, as you’d expect, very very good indeed. But let’s be honest, it’s the subtle lines in the colouring, bringing out the emotion in the characters that really makes it. I can’t think of a better artist/colourist team out there than this one.

 

Thrill 4

Johnny Woo - A Hong Tong Ghost Story - Part 1
Script: Gordon Rennie - Art: PJ Holden - Letters: Ellie De Ville
Johnny Woo
Johnny digs deep...

Richmond Clements: Loving how PJ's art is progressing and changing. The style here, with the confident lines and spot colours is tremendous.

Odd things seem to be afoot for inspector Woo, and I’m looking forward to see them unfold as we go. I only hope this isn’t just a brief, two-part stay and that the tale will take a few more episodes than that to tell. Always nice to see a Rennie script in the comic (and as an aside) nice to see a mutual friend of ours make a cameo!

 

Additional Material

Mean Machine collection
Dave Gibbons interview
New Movies round-up
MeZolith feature

Richmond Clements: A nice conclusion to the Gibbons interview, but what’s this ‘Watchmen’ book he mentioned? I’ve never heard him speak of it before. Must pick a copy up to see what the fuss is about...

I would have liked to see a short chat with Mr Fraser about Lily, but maybe that’s coming..?

I remember being crushingly disappointed with the Mean Machine strip ‘Travels’ when it first arrived. It had been heavily trailed and hyped in the prog before hand, but when it arrived it was a very brief, one note joke with some admittedly good art. Would reading it all in one make it better? No, I’m afraid it didn’t. It’s a pretty pointless tale all told. The two back-up stories fair slightly better, although I have absolutely no memory of either (or maybe because of that). The Hicklenton illustrated one is as barmy as you’d like, but the best was final, Rennie scripted one, which featured some splendid art.

 

Final Thoughts

Richmond Clements: A very good Meg, with the strips batting four for four.

Best Story:Can I go for a tie between Dredd and the Black Museum, please?