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 Cover
by Cliff Robinson
Richmond Clements:
Cliff Robinson does Dredd. Gorgeously illustrated, but somehow
at the same time uninspiring as covers go.
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| The Gingerbread Man - Part 2 |
| Script: John
Wagner |
| Art: Henry
Flint |
| Colours: Len
O Grady |
| Letters:Annie
Parkhouse |
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Maybe
stays ahead of Dredd ... |
Synopsis:
Dredd views the latest crime scene, where
PJ Maybe had injected two citizens with lethal lizard venom and left the usual
"gingerbread man" calling card. However, he mis-spelled the name, which
reminds Dredd of the presumed-dead Maybe. The murder was specifically done to
attract the judges - and even more specifically Judge Park (who had previously
identified Maybe's love-droid) - to the scene. With Park in view, Maybe launches
a hidden droid at him and blows his head off - keeping his secret safe. Canadia
and Maybe start to plan for the Mayoral election - but it's still 26 months away...
RC:
I dunno, but am I the only one who’s thinking that this
is one PJ Maybe strip too many? I for one am close to being bored with his exploits.
I am prepared to believe that Wagner, being the writer that he is, will be able
to pull a brilliant curve ball that sends this strip in an direction opposite
to the one it seems to be going in (that’s the exact same direction every
other PJ Maybe tale).
The scene with Park’s head exploding might well have
been fun to write and draw, but to me it doesn’t make a whole lot of sense.
And
then there’s Henry Flint. He’s good. More than that - he’s
bloody good. But for my money, he’s not the second coming that some folk
seem to see him as. When I look at his stuff, I still see him wearing his influences
on his sleeve, with dollops of O’Neill and MacMahon - particularly on the
oddly posed first page.
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| Big Robots
- Part 6 |
| Script: Alan
Grant |
| Art: Dave
Taylor |
| Letters: Ellie
De Ville |
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Synopsis:
Mirandah sends a message telling the judges that
she believes that the city will come alive and defend itself if attacked - hence
her reason for setting loose the robotic city blocks. As the judges bring down
one of the city blocks, Anderson tracks down Mirandah - only to discover that
she has hanged herself.
RC: I’m
still loving this. Yeah it might be too slow etc etc, but that’s
neither the fault of the creators or the editor. We’ve got the strip in
the format we’ve got it in, so why not just suck it in and enjoy it? And
what’s not to enjoy I ask you? City blocks coming alive as giant robots,
and you complain it’s plodding??
‘Kev O’Neill is going down’ indeed…
Glorious
strip, and I think that eventually the naysayers will be eating their words when
they get a chance to read this all in one Thrill Powered burst!
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| Blood of Satanus 3 - The Tenth Circle 6: Injustice Day |
| Script: Pat
Mills |
| Art: Hicklenton |
| Letters: Simon
Bowland |
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Synopsis: Dredd
and the others reach the fifth circle - corruption - where they head for city
hall. As the fight starts, the doctor has a spontaneous emission of Dark Matter
that kills all the demons. Satanus arrives while the judges place the anti-matter
charges on city hall and he and Dredd face off...
RC: And
so it rumbles on. There is, as the cliché says, a fine line between
genius and madness. I think that Mills and Hicklenton have crossed that line.
It’s a weird one alright. In an astonishing twist, this episode is actually
good. That is, the story is not only intelligible in places, but also seems to
be moving the plot forward.
Now, don’t get me wrong. Just as I expect Wagner
to lift The Gingerbread Man out from its mediocrity, I expect this one to return
to it’s impenetrable
and painful usual self next month.
I’m still loving Hicklenton’s art.
I really do think he’s
up there with O’Neill (Ohhh, that’s three strips in a row I’ve
managed to mention him!) in being able to go toe to toe with Mills in lunacy.
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| Before They
Wuz Dead - Part 5 |
| Script: Simon
Spurrier |
| Art: Steve
Roberts |
| Letters: Ellie
De Ville |
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Synopsis:
Digiback manages to best Link just as the rest of
the Angel Gang discover a hidden room at the centre of the Gila nest. There,
Dil Grimczi is in a cage, kept alive but in agony by the Gilas. Digiback turns
up on the scene with the war robot and turns out to be Grimczi's son. He rescues
his Pa from the cage but the badly wounded Link arrives just in time to knock
him out. Pa kills Grimczi, uses the robot to collect the bounty on all the dead
goons killed by the gilas and he and Link enjoy a father-son torturing of Grimczi's
son...
RC: Well,
I for one didn’t see that coming. Maybe it’s because I wasn’t
expecting there to be a twist that the one here came as such a pleasant surprise.
Whatever
the reason, this story has been delightful from start to finish. That is, if ‘delightful’ is
a word that can be rightly used for such a story.
As I’m sure I’ve
said before, Spurrier is one of those writers that I can be ambivalent about.
I’m in the Love Jack Point/hate Beck and
Kawl camp. What’s really good about this though is how Spurrier has managed
to flesh out a group of characters that were essentially a series of jokes. Or
in the case of Link, he has actually created a character where one did not exist
previously.
Roberts’ art is stupendous, in turn detailed, cartoony,
funny and horrific.
And the good news is- it’s coming back for more!
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 Reprint:
Ro Jaws Robo Tale
Feature - Panzer Attack
Comic Auteurs - Garth Ennis
New Books
Small Press - Lights Out
Dredd Files
New Movies
RC: As
with every other month, we have a mixed bag of articles. An interesting but short
article on Commando comics. A long well informed but ultimately pointless essay
about Garth Ennis. Film reviews I can accept, but a two page review of a book
that I’d bet none of us is going to buy is a real waste of space. Nice
reprint, and very good Small Press. We sat with the Monkeyboys at the Eagle Awards,
and they’re a lovely brace of chaps.
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RC: Though
I griped throughout this review, this is still a good solid Meg.
Best story: The
Angel Gang
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