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Home ¦ Reviews ¦ Skizz

2000 AD - Skizz
Skizz
by Alan Moore and Jim Baikie

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What to Expect: A truly alien alien, a truly vile villain, and a small helping of social commentary.

Review by Alex Frith
7th January 06

This strip originally ran in 2000 A.D. for 4 months back in 1983, a good few years before I started reading the weekly. I've only ever read this story in one go, and I can only imagine how gripping it must have been the first time out, and how unbearable the wait must have been between certain episodes. It's a perfectly crafted tale that manages to feel completely unlike any other comic book yarn - despite a classic premise that has produced classic tales ranging from Superman to E.T. to War of the Worlds.

One of the things that always grabs me about Skizz is the attention paid to the detail of the time and place the story is set in. Much more detail, in fact, than is given to the question of what it's like to be an alien abroad. The supporting cast are given as much, if not more time than Skizz himself, and an engaging cast they are, too. For a comic aimed at young teens (I think there was a time when that really was the main audience for 2000 AD), it's strange that the comic hasn't featured more young teen characters, but Roxy is one of the greats. We get to share her agonies at school and at home, and best of all, she's well-adjusted, has friends, a life, and is generally as unlike every other teen hero as you could desire.

2000 AD - Skizz

Not that she lives in happy times as such. Speaking as a middle-class Londoner who did most of his growing up in the boom years of the late 80s, I was blissfully unaware of the trials of working class Birmingham in the era of mass redundancies. I suppose it might be a somewhat stereotypical or even patronising portrait, but I'm sold. Alan Moore has always been a champion of stories in which the mundane and downright mediocre are the heroes, and every now and then, that's the kind of story I want to read. Aliens are exciting in themselves, but why settle for that when you can add kitchen-sink drama into the mix? It certainly drives home what kind of a world Skizz has found himself on, which is a world far from Government conspiracies.

Jim Baikie deserves no small praise for his glorious art. Superb storytelling throughout, and fantastic characterisation. He coaxes the full gamut of emotions from his characters. Every face in every panel is perfectly considered, and adds to the atmosphere of hope filtered through hopelessness. This latest collection of the story has reduced the art to fit the pages, but this hasn't diminished the impact, although there is some curiously weak print quality on a handful of episodes. It's also a shame that the collection doesn't include Alan Moore's discussion of Skizz from the 1983 Annual, which was a real hoot.

2000 AD - Skizz

OK, that's enough gushing. Is there nothing wrong with this story? Well, loathe as I am to knock Alan Moore, his pretension does show through continually in Skizz. Most episodes use a beginning and ending framing device to draw out an over-riding theme for the story. It's all very clever and well-handled, but the device gets wearing after a while. You can see how each episode was put together as if following step-by-step instructions. Admittedly, these instructions have been followed through very well, but it's a shame it's so transparent. (If only I could write that well).

Finally, and I'm aware that this might be missing the point, but I feel that much of the central plot of this story is simply unbelievable. Van Owen is just ludicrously villainous and single-minded. The heist-style ending is utterly absurd. One could even argue that Skizz himself is a) too nice, and b) rather lacking in resourcefulness for a hyper-intelligent being. On the other hand, you don't really notice these things when you're reading the story. It just sucks you in so well. And dammit if villainous villains and absurd triumphs don't make for a hell of a feel-good ending.

Now there's a thought - when was the last time 2000 AD featured a genuine verge-of-tears feel-good moment?

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Original content (c) 2002 Gavin Hanly (contact 2000AD Review).