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Synopsis
by Gavin Hanly
1st
opinion by David Long
2nd opinion by Joe Saxton
Summaries
and reviews contain spoilers for this issue.
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Cover
by Lee Garbett
DL:
I've always liked covers that feature my favorite characters
and this is no exception. Finnigan Sinister holding a gun at what appears to
be fire (see reflection in glasses). I like it.
JS: A decent effort from Garbett with nice
aspect and colouring. It’s a shame that the piece has been cropped
to lose part of the gun as this detracts a bit, but altogether it’s a decent
if not amazing effort. It’s also nice to see a cover not drawn by
one of the artists on the strip; I’ve always felt that the cover should
be a place that different interpretations can be shown.
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| The Biographer |
| Script: Rob
Williams |
| Art:
Boo Cook |
| Letters: Annie
Parkhouse |
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Synopsis:
Amis Barnes announces that he is to do the definitive
biography of Dredd - although everyone around him thinks that this is an impossible
task. He visits the Justice Department to get interviews but no one talks;
he visits perps that Dredd has put away and the Cursed Earth but still can't
seem to get the spark that he needs to write the book. He visits a sex bar where
he's mugged while asking one of the dancers what Dredd was like when he arrested
someone in the bar. He eventually despairs that he doesn't know how to write
a good book about a man who appears to have no feelings. Eventually he snaps
and hits his wife in frustration. Barnes reports his crime, hoping that Dredd
might arrive to arrest him - "but of course...he does not come"
DL: I
really don't like this story. After Origins and 50 Year Man, this seems like
a pointless story written by Rob Williams. And a cameo by Dredd himself with
his back towards us and drawn ENTIRELY in black, what a waste. All it makes me
want to do is flick through it. Let's hope the
upcoming story "Mutants in Mega City One" will be any better.
JS: I can’t really make up my mind on
this, on one hand it’s an interesting story about a citizen’s life
being altered by contact with the legend of judge Dredd; on the other hand it’s
rather serious and considerably more emotional than a lot of the one-offs we
see. I think Williams might have missed the balance between good writing
and enjoyment, probably not helped by Cook’s light-hearted style clashing
with the serious strip (though he does a fine job with some nice touches). I
can’t make my mind up on this one. I think it's good but I don’t
like it.
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Synopsis:
A student enters his exams and is given a rigorous
examination to remove all cheating devices, having being marked out as a serial
cheater. After careful monitoring, he completes the test and the paper is sent
away to be marked - with a "priority" note stapled to it.
Later, the
student sends out tiny microscopic tanks hidden in the paperclip that he has
left on his paper - each tank filled with ink. He guides them to write the
correct answers. But as he does, the examiner also sends
out her fleet of tanks, hidden in the staple. These destroy the student's tanks
and deface his paper - giving him an F.
DL: Mr
Amperduke was cool. Last weeks tale was alright. This is much better. Who would
of thought that teachers would have their own "defences" to combat cheating pupils.
The only disadvantage is the fact that there are no words. Other than that, I
am looking forward to the next Twisted Tale.
JS: Another good offering from Byrne, although
I didn’t
enjoy it quite as much as last week’s. It's good to see he’s
doing a variety of styles for the series and as is demanded by the silent
script his visual storytelling is spot on. However I’m realising
how much of a bastard these are to review individually. Overall I think
it’s
a bold move to include such stylised work in the prog, particularly with no script. Hopefully
it’s a gamble that will be remembered as one of the highpoints of Matt
Smith’s editorship.
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| Part 4 |
| Script:
Ian Edginton |
| Art:
Steve Yeowell |
| Art: Chris Blythe |
| Letters: Ellie
De Ville |
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Detonator
X strides into the battlezone... |
Synopsis:
Dr Chung and Jared Mackay head to Mars to help fight
back the invading monsters. They discover that the monsters have started binding
together to form a large "blastula" above the rift that they came through.
Chung and Mackay head out to investigate in the Detonator X - which at this stage
is completely unarmed. As they get close to retrieve samples - one of the monsters
awakes...
DL: After
the horrible Stickleback and Stone Island, it's nice to get much better stories
from Edginton such as this little gem. Certain users don't seem to like this,
but I have to disagree. The art is fantastic, the story's nice
and overall the characters are interesting. Both Dr Chung and Jared McKenzie
Mackay have gotten all the best quotes. I really can't wait for the conclusion
to this and any other future installments.
JS: Edginton and Yeowell are both names that
get me excited about a new strip. Detonator
X hasn’t quite set me on fire yet, mostly because after 25 pages we have
yet to actually hit the main storyline. This week felt a bit of a step
back from the crackling dialogue of last week, particularly as the suit driver’s
rather annoying speech patterns got centre stage. Hopefully this will start
to move along soon now the titular Detonator has come face to face with the dinosaur
thingies.
Yeowell’s art is as good as
ever and I’d like to mention how good a job Chris Blythe is doing of the
colouring, the subdued tones being used give it the sort of retro feel that I
expect Edginton and Yeowell were looking for and asked for.
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| The Doctor is In - Part 3 |
| Script: Dan
Abnett |
| Art: Simon
Coleby |
| Colours: Len
O'Grady |
| Letters: Annie
Parkhouse |
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Synopsis: Ronko's
boys start their attack as the surgery to help Dexter gets underway - under gunpoint
from Sinister. Sinister tells Billy to hide, but one of Ronko's boys manages
to track him down - just as Sinister arrives to shoot him and save Billy. At
that point, the surgery is nearing completion and everything seems to have gone
well, until Ronko arrives at the surgery, gun in hand...
DL: I've
always been a fan of Sinister Dexter, particularly enjoying it since Christmas
2005. The prison saga was okay especially the last part, but the only nagging
doubt that I have is the fact that Dan (Abnett) revealed to us that Ramone is
not actually quadriplegic. That has potentially ruined it for me. Hopefully,
he will rectify the problem somehow in future installments.
JS: This continues its merry way. I’m
really hoping the story will open out again soon - while the current events
need to happen, they’re still very linear. Still, their being handled
well by writer and artist, Coleby seems to really have a feel for the two leads
at least and O’Grady’s colouring job is pretty good (although I’m
not convinced by Sinister’s hairline). I’m not sure whether
I should feel guilty about hoping that Dexter gets a bullet while still on the
operating table, killing or properly paralysing him, or whether I would actually
be pleased if it happened.
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| The Dissenter |
| Script: Robbie
Morrison |
| Art: John
Burns |
| Letters: Annie
Parkhouse |
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Dante
and Jena, happy as ever... |
Synopsis:
Jena
visits Dante to ask for help. She takes him to Loenid Tarasov, her favoured old
arts tutor, who has become critical of the Tsar. His writings caused controversy
on the Imperial Net, so the Tsar has ordered that Tarasov be arrested and conditioned.
At their visit, Jena tells him that the Tsar will drop the charges if he retracts
the statements and pleads allegiance to the Tsar. Tarasov says he cannot do that,
while Dante's Crest reveals to Dante that Tarasov's body is riddled with cancer.
As they take him in, Dante tells Tarasov that if he ran, Dante would have to
shoot him. Tarasov understands, runs and is gunned down by Dante, but keeping
his cause alive. Jena is heartbroken, but begins to understand what Dante has
done for her - and they kiss....
DL: This
is another one of my favorites with the last two stories have been my all time
greats. Now I can add this my the all time greats as well, if only because of
the ending. The kiss at the end was a return to the stories of old and this is
no different. But the guy dying of cancer? Worst idea ever and Robbie Morrison
should have came up with a better excuse than that. Other than that, I am looking
forward to next weeks story.
JS: Ah perfection, or pretty close. A
lovely little story to bring Jena and Nikolai back together. It explains
both their characters for the newer reader and puts them back together without
a lot of fuss. I can happily ignore how quickly Jena gets over her old
teacher being shot, not quite so easily John Burns’s insistence on painting
her hair as candyfloss pink, I’m sure it was red in the Romanov empire. Otherwise
Burns puts in an excellent effort, which he usually does when the story is up
to scratch.
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DL: A
Good prog this week even though Sinister Dexter and
Nikolai Dante are on weak form. Other than that I am looking forward to the
next issue.
Best Story: Detonator
X
JS: Overall the quality was fairly high this
week, though not very high. I feel it would be good to get on with Dredd
doing something more important - after Origins and 50 year man this was a bit
of a lull. Personally, I also like it when the prog runs new strips and
both Dante and Sin/Dex have had near constant presence for a while, still both
are moving along and good quality so I shouldn’t really complain. Also
nice to have droid life and a letters page, even if the letters themselves were
rather dull.
Best Story: Nikolai
Dante
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