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Prog 1321 - 11 December
2002
Cover by Steve Yeowell and Chris Blythe
Synopsis and
1st review by Gavin Hanly
2nd opinion by W.R. Logan
GH: An Ok,
but fairly underwhelming cover for this prog. I think Yeowell's art lacks something
on the big closeups - and this just doesn't look that inspiring. Lucky the episode
is much better...
WRL: Steve
Yeowell drawing a six armed man waving swords should be something that makes you
want to pick this Prog up, but somehow it lacks that magical ingredient.
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Script:
John Wagner
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Art:
Ian Gibson
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Letters:
Tom Frame
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| Sniping
Synopsis: Dennis
Node has bought a KillCo Sniper rifle - a rifle that can be disguised easily,
builds itself, auto aims and even shoots for you. He goes to the roof of his block
and, starting with a judge, starts shooting victims. Dredd spots him, and after
a receiving a glancing blow to his helmet, he commandeers a hoverboard. Weaving
to the top of the block he eventually kills the sniper - a man who had his mum
put down, lost his job and his wife, and had a terrible disease. Dredd's response
- "Life wasn't meant to be easy, citizen" - and calls the snipers death
"suicide by Judge"...
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| GH:
Once again, John Wagner has something to say about the world today, in this satire
on American gun laws. It's a fairly light hearted piece, and unfortunately not
as scathing as perhaps it could be. (But I did like the "suicide by judge"
reference, as I've heard the phrase suicide by police a fair bit recently...)
However, there's some gorgeous art from Ian Gibson here - who greatly enhances
his own art with some spectacular colouring (especially in that shot of Dredd
on his bike on page 3). It's very nice indeed to see a change from computer colouring
once in while...
On a side note
to this story - there's another comment in the input section about this weeks
Dredd and how the real world is catching up with the comic - especially with reference
to prog
1309's Everyday Disaster. Tharg keeps expecting us to believe that the
story had nothing to do with September 11th - he must think we're all completely
stupid. But both that story and this make me think that Wagner's better than this
- and while this blunt and obvious satire is indeed fun, it ultimately results
in a missed opportunity. But I agree that there's really nothing to get too offended
by in these stories at all.
WRL: Once
again we are treated to the team of Wagner and Gibson, a classic pairing and have
they ever turned in a bad Dredd? Add to the mix the fantastic Tom Frame and how
could this week's Dredd go wrong. The picture of Dredd on page 5 swinging from
a rope and firing his Lawgiver is simply worth the cover price alone. A simple
story that cleanses the pallet in readiness for the end of year extravaganza that
is Prog 2003.
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Script:
Ian Edgington |
Art:
Steve Yeowell |
| Letters:
Annie Parkhouse |
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Under the Banner of King Death
- Part 9
Synopsis:
(double
sized story - last episode) A huge demon appears, and then resizes himself
to a smaller, well spoken, dapper demon. This is the Devil himself - who's done
away with Hecate, fearing that if she had her hands on the Albrecht Tome, she'd
remake creation - probably without a place for him. He tells Orlando to start
reading out the names of God - but Dancer cuts off his arm, while Isabella grabs
the book.
The Devil reacts
by giving Orlando 6 sword wielding arms - and he takes on Dancer's crew. Meanwhile,
the Devil tries to make Isabella read the book - and also reveals that her father
sold her mother's soul in order to achieve his great power. Dancer beheads Olrlando
- just as Isabella realises that the Devil is afraid of the book, and can't read
it himself. She hurls it at him and he disappears back to hell. The crew leave
- forgetting the two headed dog.
But the last image
is of a house in Oxford, with a test tube containing what appears to be a tiny
clone of Orlando Doyle...
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| GH:
The series finally comes to a conclusion, and it's improved almost every week.
As mentioned a few episodes back a sequel is in the works, and based on this will
be very welcome indeed. The story on a whole has been basically voodoo and witchcraft
on the high seas, and thankfully not the jovial pirate adventure I was at first
fearing. Coupled with the perfect artist for the story in Steve Yeowell, Ian Edgington
has highly impressed in his first 2000AD story. He's had about 65 pages to play
with (by my calculation) and has produced a highly entertaining read, and one
that certainly doesn't take itself too seriously.
I just hope that
the focus is once again kept on the bad guy for the next series, as too much of
the pirate crew could grow wearisome.
WRL: Finally
Red Seas ends and in a way I'm sorry to see it finish, but at least now
I've sat and read the story in one sitting. Some stories are great split in to
weekly chunks but for me Red Seas works when read in one go. When this was announced
by Tharg and then appeared in the Galaxies Greatest Comic I wasn't convinced that
I'd enjoy it, but now after reading the whole thing I'm glad to have been proved
wrong. An enjoyable story, with art by Steve Yeowell that fitted the story. I
may not read the next instalment of Red Seas week by week but will look
forward to seeing it again.
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Script:
Rob Williams
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Art:
Boo Cook
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Letters:
Ellie De Ville
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| Part
8
Synopsis:
As the station crashes to Earth, Holt realises that the hunters were born
to do more, and miraculously holds the ship together with a force field. Belly
swallows Ashcroft and expels him as he dies. Ashcroft experiences Belly's death
psychically and is forced to fully comprehend all the evil that he has done. Holt
manages to psychically move the ship away from the alien island - and it crashes
harmlessly into the sea. Ashcroft dies in the crash - but the others are all washed
up safely on the beach...
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GH: Unlike
The Red Seas, my opinion of this story has regrettably diminished over
its run. As the story developed into a simple action piece, it lost all the intrigue
and suspense that helped the first issues to really grab me. when it turned into
a shootathon I just lost interest. And as for the "twist" of Holt being
able to magically save the ship - please. If there were more hints about Holt's
powers before (and I disregard the dreams) I could have lived with it, but as
it was the plot device was to far out of left field for me to accept it.
Another main problem
was the confusion I had with the later issues. There were many times I just couldn't
work out what was going on - a major flaw in any strip.
But I'll end on
a positive note. This has been a far better strip than many many others we've
had in the past, and Williams and Cook both show great potential. I'll just be
happy if they deliver something more restrained and moody next time.
WRL: Asylum
started well, but as the weeks have gone by its lost my interest slightly. It's
not been a bad strip, but just hasn't kept me engaged for its whole run. Boo Cook's
artwork, whilst not at the top of my list of work that has appeared this year,
has been competent and definitely hasn't been the worst to see print during 2002.
Whether or not I'd want to see the characters appear in another story is debatable
but I look forward to seeing what Rob Williams does next. |
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Script:
Dan Abnett
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Art:
Simon Davis
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Letters:
Ellie De Ville
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| The
Off-Lode Experience - Part 8
Synopsis: Demi
tells S&D to join her cause in fighting for peace, but is shot by Billi and
turns back into an alien. Billi could tell that the creature wasn't her sister
and killed it before it got S&D. The aliens start to attack, just as the program
given to the crew by the Barfs turns into a trojan horse and begins destroying
the place. But due to Manx's decrepit and slow computer hardware which starts
the virus, they all manage to get to safety - but are now pursued by intergalactic
police. "...isn't this why we left Earth in the first place?"
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| GH:
Well Sinister Dexter comes to an end too - and I'm beginning to agree with it's
many naysayers - it might be time to give the lads a bit of a rest. I really did
quite enjoy this run, with it's much jokier tone, the larger group dynamic, and
of course some truly great artwork all through from Simon Davis. But at the end,
I was starting to get a little bored. The status quo hasn't changed much, and
the story hasn't really taken the characters anywhere new. The opportunity for
a great showdown between Billi and her "sister" was thrown away in a
single panel. I never got the connection between the boys and Demi, but a sister
face off would have had far more resonance.
But again, I'll
end on a positive note (I'm feeling generous) - this series has been far better
than many people would like to admit. It had a stupid irreverent sense of humour
that is missing from much of 2000AD's stories - and that'll be missed. But it's
still time for some new blood now...
WRL: Shite!!
I know I should find something positive to say, after all this is the season of
goodwill to all men, and it with a heavy heart that we see the final episode of
the outing for Sinister/Dexter. They've worked hard over the years and
deserve a holiday; in fact I wouldn't mind if their spaceship drifted in the vacuum
of space for a few years. If they're left out there for long enough they just
might meet up with Dan Dare who was left drifting in space many years ago.
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Overall:
GH:
Not a bad prog - but it's a shame that only one of the three epics ending left
me wanting more. But it's still a damn good comic at heart, and even the mediocre
stories crap on most of the American superhero books from a great height. Roll
on Prog 2003...
WRL: Best
Story? I really want to say Dredd, Wagner, Gibson, and Frame, surely one of the
best teams ever to grace the pages of 2000AD, but probably due to the fact that
I've just sat and read 9 episodes in one go I'm going for: Red Seas.
Best Story:
Gavin
Hanly: The Red Seas
WR Logan: The Red Seas
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