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Prog 1320 - 4 December
2002
Cover by Trevor Hairsine & Len O'Grady
Synopsis and
1st review by Gavin Hanly
2nd opinion by W.R. Logan
GH: Another
stunning cover by Trevor Hairsine, made particularly eye-catching by the large
speech bubble. The colouring, however, does not do a particularly good job of
enhancing the image. I still think it's odd to have a cover for a new story just
as it's ending but 2000AD seems to do this regularly, so perhaps there's an editorial
reason I'm missing...
WRL: This
should be a great cover, artwork by Trevor Hairsine is usually a joy to behold,
especially big aliens shouting "Be Nasty!" but somehow between the large
head and the colouring it all blends into one and loses all its possible impact.
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Script:
John Wagner
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Art:
Staz Johnson
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Letters:
Tom Frame
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Colours:
Angus McKie
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| Dead
Funny
Synopsis: Daniel
Makepeace Gimm's family and friends are gathered for his funeral. His family is
a mixture of practical jokers, fatties and crime bosses. As the funeral progresses,
Gimm bounces out of the coffin and begins his act - as he's been stuffed and animated
by the practical joker element in the family. As the "body" starts to
insult the crowd, a riot breaks loose. Dredd bursts in and tries to ease the situation
with little success - so resorts to using knockout gas. Dredd takes the family
away, and leaves the animated corpse - still telling jokes - with the beleaguered
robot reverend...
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| GH:
A fairly decent one-off from Wagner with the emphasis on citizens rather than
Dredd himself. Pretty good and entertaining - but Wagner has to compete with Rennie
these days, and this story does very much feel like the filler material it is.
Perhaps it's caught me on an off day - but wasn't as enamoured with this as I
usually am with the Dredd stories.
Staz Johnson turns
is a good job on the art, and proves himself to be a dab hand on the judge (his
last art on Dredd was almost 80 issues ago) and also does a great job of conveying
characters like the dead Mr Gimm, who really does come across as a old style lounge
entertainer. His art seems to have more impact in colour - provided by Angus McKie
- as opposed to his black and white art on Killer and Rogue Trooper.
WRL: Wagner's
back and we get 6 pages of mirth and merriment. Staz Johnson does a decent Dredd
but as Dredd doesn't appear till page 4, it’s a good job he can do the citizens
as well.
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Script:
Ian Edgington |
Art:
Steve Yeowell |
| Letters:
Annie Parkhouse |
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Under the Banner of King Death
- Part 8
Synopsis:
(double
sized story) Doyle and Isabella progress through the island where time is
warped - as experienced by a zombie who suddenly ages backwards out of existence.
They finally arrive at an ancient temple. Meanwhile, Dancer's crew has been washed
up and come across the severed talking dog's head. They're about to destroy it,
when Dancer stops them and fills them in on what's happening. despite the danger,
his crewmen still follow him.
Orlando prepares
his ceremony to summon Hecate, and tries to kill Isabella. He misses, and Dancer
and his crew storm in. His crew take on the zombies, while Dancer unties Isabella
while knocking a couple of arrows into Doyle - but to little effect. Doyle uses
his own blood to complete the ceremony , as all the zombies are killed. But it
is too late, as the skies have darkened - "She is coming!"
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| GH:
Another double sized helping of The Red Seas this week, which does help
the story progress nicely. The two disparate bands are brought together for a
good bit of swashbuckling action, ably rendered by Yeowell, who appears to have
a great deal of fun in depicting mutilated zombies. This has been a well paced,
and welcome addition to the comic, but I'm going to put off any further comments
until the final part next week...
WRL: A double
length episode this week as we speed towards the conclusion. I actually read this
episode as the opening page intrigued me. Yeowell's art is enjoyable and finally
I feel that I really want to read this story. After waiting for Red Seas
to end so I could read it in one go I might dust of the past 7 progs and read
what I've missed in time for next week's prog.
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Script:
Rob Williams
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Art:
Boo Cook
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Letters:
Ellie De Ville
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| Part
8
Synopsis:
Belly is
trying to break through the door, but is blasted at by the guards and apparently
stopped before he can burst through. But he then turns himself inside out through
the mouth and flows into the room attacking the guards - who are shot dead by
Megan. Ashcroft, however, has been crawling to the console, and activated a large
button marked "Danger" - and the station starts to move. AS Ashcroft
lies in a pool of his own blood and faeces ("I had a holy movement! Yea,
verily") - it becomes clear he's sent the station on a collision course with
Earth, which would wipe out life on the planet...
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GH: A little
confusing this week - it took me a couple of reads of this to work out what was
going on - especially with Belly turning himself inside out. With that and Ashcroft
shitting himself, this episode has certainly upped the "grossness" content
of the story... The story is still well written and drawn but, as mentioned last
week, I miss the slower, intrigue-laden pace of the earlier episodes. Ah well
- I'll see how it all turns out next week before making a final judgement.
WRL: As my
interest in Red Seas is finally ignited, my interest in Asylum starts to
wane. Asylum started well but as the weeks go by it's not managed to keep my attention
and I hope it's just the lull before the story's conclusion. |
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Script:
Dan Abnett
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Art:
Simon Davis
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Letters:
Ellie De Ville
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| The
Off-Lode Experience - Part 8
Synopsis: The
crew have finally found Lux's "guru ship". Sinister and dexter break
inside, guided by Billi from Manx's ship.They enter a room filled with a number
of different species - human and alien - frozen in stasis beams. As Billi loses
the link with them, they are contacted by Lux, who calls the stasis "suspended
illumination". Lux questions their vocation - "As executioners, you
are singularly determined, almost admirable. But is there really a point to what
you do?". As they killed John Croak, Lux needs new representatives on Earth,
and S&D fit the bill. Dexter thinks this ridiculous, until they finally see
Lux - who seems to be Demi Octavo...
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| GH:
The story finally gets going here, but let's be honest this storyline has never
really been about the plotline up until now. Not that that's a bad thing, mind,
as we've had some amusing episodes on the way (something wildly contested by my
co-reviewer...). More impressive brushwork from Davis this week, especially on
the last page - but i have to admit I could see that ending coming two pages earlier.
Not sure where this is going - as I never understood Sinister and Dexter's connection
to Demi Octavo, and I only started to really enjoy the series when she got killed!
I've enjoyed the Sinister Dexter storyline immensely - but as it appear to be
taking itself seriously again, my interest has waned...but again, I'll reserve
final judgement for next week.
WRL: What can
I say that I haven't said before: Simon Davis can draw, Dan Abnett can write -
so why is Sin/Dex so bad. I won't reveal the surprise on the final page,
if you’re a fan you'll no doubt be amazed and think its great, if your like
me you'll yawn and wonder when its going to end. Tharg - wake up and smell the
Styrofoam, get rid of Sin/Dex and commission something new. A good old-fashioned
space war or robots story would be my choice, but why do I feel that Sin/Dex
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Overall:
GH:
An OK issue. I've found it somewhat lacking. maybe it's due to the knowledge that
the stories are all wrapping up and winding down now. I should be really excited
by the prospect of 3 series' conclusions next week - but it's only the Red
Seas where I really want to know what happens next. It's still damned good
compared to may other comics out there, though.
WRL: The
last couple of Progs have felt like treading water, waiting for the big Christmas
issue, the start of the New Year and new stories. My favourite story - well Dredd
still stands head and shoulders above everything else being printed within 2000's
pages but this weeks Red Seas came in a close second.
Best Story:
Gavin
Hanly: The Red Seas
WR Logan: Judge Dredd
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