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¦ Reviews ¦ Progs
1310 - 1315 ¦ Prog 1314

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Prog 1314 - 23 October
2002
Cover by Trevor Hairsine
Just as we thought
Trevor Hairsine had gone off to the States, never to be heard from in 2000AD again,
he returns with a damn good Dredd cover. It's certainly easy to see more of a
Bryan Hitch influence in his work these days, particularly in the inking, and
this is no bad thing.
A fairly decent
issue, let down by the slightly predictable Past Imperfect - yet another Future
shock clone.
I note that the
"story so far" part of the inside front page is woefully inadequate
in getting new readers up to scratch with the latest Dredd story. Still a need
for this site then...
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Script:
John Wagner
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Art:
Carl Critchlow
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Letters:
Tom Frame
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| Out
of the Undercity - Part 2
Synopsis:
Prager "goes wolf" just outside the medical facility, runs off. A report
of a "Beast" on the loose soon comes in, and Dredd orders pursuing forces
to use non-lethal force, knowing the beast is Prager. Judge Hick catches up with
Prager at the entrance to the Undercity, but has a weapon jam. However, Prager
doesn't kill the judge, but goes down into the undercity - with Dredd following.
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Review:
Not much to report this issue, as very little happens (as you can see from the
summary above). The artwork's still good, but the story really hasn't had the
chance to develop yet. With Dredd heading into the Undercity, next prog should
hold more interesting developments.
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Script:
Ian Edgington |
Art:
Steve Yeowell |
| Letters:
Annie Parkhouse |
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Under the Banner of King Death
- Part 2
Synopsis: The
crew of the Red Wench gets some shore leave at "The Jolly Cripple" pub.
Captain Dancer leaves the crew money to get wasted, and goes to see his girlfriend
Isabella, referred to as "The Witch". She finds a tablet in his possession
that doesn't seem "quite right". It's referred to as The Albrecht Tome
by Dr Orlando Doyle, who magically watches them from afar. He sends his Zombie
crewmen to retrieve it...
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| Review:
Now back down to its regular five pages, this story still shows promise. Edgington,
in his first story for 2000AD, proves to be more than capable of structuring a
short strip, as the plot is nicely furthered this week and also manages to get
in the introduction of 2 new characters, Mistress Meryl of the Jolly Cripple and
Isabella. A nice bit of humour in the writing, indicating that Edgington isn't
taking this pirating lark all too seriously, thank god. Look for a more action
orientated episode next week.
As ever, Yeowell's
art is wonderful, and the black and white reproduction adds atmosphere to the
story. |
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Script:
Rob Williams
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Art:
Boo Cook
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Letters:
Ellie De Ville
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| Part
2
Synopsis: Holt
is still reeling from the death of Junichi, especially as the alien that killed
him was from a pacifist species. Meanwhile, a telepathic alien, Belly, is waiting
in the "processing" queue, and tries to allay his friend's fears of
the rumours by doing a telepathic search. Unfortunately, he sees an alien being
killed, goes berserk and escapes, with another alien, Skunk, trailing behind.
Meanwhile, Holt
meets with Reverend Ashcroft, who seems a little unhinged. We learn that Holt
has an alien father and Human mother. Ashcroft says "After the wars the nations
shut themselves off behind the domes. But they still allowed the aliens to come.
Do you think that was right, Holt? Hmm?"
Responding to a
beeper call, Holt and fellow hunter Megan find Belly, who swallows Holt whole...
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Review:
Quite a bit of plot we've got through this week, as the true nature of "Asylum"
is made a little clearer. Reverend Ashcroft seems to be shaping up to be suitably
deranged, but we are yet to witness any others that may be involved in what appears
to be his plan for alien extermination. The introduction of Skunk looks like he
could provide the alien point of view, but time will tell.
The art continues
to impress, with some notable uses of computer effects to enhance the work. It's
a little unclear as to what Belly saw that got him so riled, but hopefully that
will become clearer in future issues...
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Script:
Simon Spurrier |
Art:
Ian Richardson |
| Letters:
Tom Frame |
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| Red
Man Rising
Synopsis: General
Custer is about to face his last stand. In a meeting with an Indian Shaman, he
is given a talisman that will help him win. He uses the talisman to slaughter
his enemy. However, as the Shaman knew would happen, this causes the Indians to
rise up in hatred, forever defeating "the white man". The last shot
is of the capitol building - "The Red House"...
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| Review:
Well this seems to be "Tales of the Unexpected" in yet another guise.
So add this to Future Shocks, Terror Tales, Time Twisters,
Tales of Telguth and all the others I've forgotten. The premise behind
this seems to be the alternative reality approach (see Fatherland or The
Man in the High Castle for reference), but seems a little basic. I suppose
it's too much to expect more out of 5 pages - but I hope future stories show a
little more inventiveness (and less use of magic).
The art seems perfectly
good enough, but the weakness of the story potentially makes it harder to appreciate. |
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Script:
Dan Abnett
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Art:
Simon Davis
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Letters:
Ellie De Ville
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| The
Off-Lode Experience - Part 2
Synopsis: Billi
arrives on Toplode, a station orbiting Earth, and meets up with the designated
pilot Manx McCandless. They're interrupted by alien businessman Toronto Bosch
and his henchmen who are looking for Manx. Sinister Dexter arrive and blow away
Bosch and his associates. The crew meet up at their rocket, and take off for their
job...
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Review:
Still the best thing in the comic, as the new story gets up and running.Not a
great deal actually happens in this issue, but it's an excuse for Dan Abnett to
play around with the characters before the story gets underway. This works well,
especially with Billi's sarcastic tone acting as a nice counterpoint to Sinister
and Dexter's jokier repartee. And nice to see a use of the "drunken pilot"
to round out the group - always a welcome stereotype! Plus - good use of comedy
subtitles.
Again, Davis' art
elevates the story further - and it does seem much more colourful than before
- a considerable improvement to the seemingly dark episodes he previously drew.
Of course, this could just be my memory playing tricks with me, but this certainly
seems his best yet.
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Best Story:
Sinister Dexter.
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