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¦ Progs 1304 - 1309
: Prog 1304

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| Prog 1304.
Cover by: Jock & Chris Blythe
Pretty good cover
image by Jock - who looks like he'll be a star of the future. 5 strips again -
and as seems to be the norm - 3 colour - 2 black & white. Tharg's Nerve Centre
is used as a plea to stop sending in unsolicited scripts. There have been very
few new writers in 2000AD (excepting the current Bison), and the comic appears
to be in need of new writing blood. Sadly Tharg doesn't hold up much hope for
new finds from the scripts they've received - so it seems the old guard will be
around for a good while longer.
A Buffy/Angel competition
rounds up this prog. |
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Script:
Gordon Rennie
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Art:
Ian Gibson
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Letters:
Tom Frame
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Colours:
Chris Blythe
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| Give
Me Liberty -Part 1
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| Review:
Gordon Rennie takes over writing duties of Dredd on this one, and does a pretty
good job. Harking back to the old reliable basic story - Mega City citizens acting
like complete idiots, this is a winner. And it's helped massively by the return
of one of the definitive 2000AD artists - Ian Gibson. Great satire - which is
what Dredd's best at.
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Script:
Dan Abnett
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Art:
Henry Flint
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Letters:
Ellie De Ville
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Colours:
Chris Blythe
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| Part
5 - You're Hit
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| Review:
I can't remember the original VCs story - I only picked up 2000AD from "Judge
Death Lives" onwards. But this is proving to be a welcome relaunch - fantastic
artwork from the very under-used Henry Flint, together with a gung-ho "Dirty
Dozen" style space marines story. If you're looking for a good future war
story, then skip past Rogue, and come straight to this.
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Script:
C Clayton, C Dows |
Art:
L Campbell, L Townsend |
| Letters:
Ellie De Ville |
Colour:
Gary Caldwell |
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4 .
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| Review:
This seems to be getting poor reader ratings on the official 2000AD site, which
may be a little unfair. The artwork shows promise, and the plot is certainly intriguing.
Shame then that the story seems to be spiraling downwards into a sub "100
Bullets" gangster genre story. A lot of fun could have been had with the
gender swap, but the writers prefer the old gritty revenge story that's been done
to death. And the instant rehab pill - while clever, immediately gets rid of a
potentially interesting sub-plot. Still - too early to write this one off.
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Script:
John Wagner
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Art:
Carlos Ezquerra
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Letters:
Annie Parkhouse
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| Roadhouse
- Part 5
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| Review:
The best strip in the comic, without a doubt. The team of Wagner/Ezquerra can
always be relied on to make any issue of 2000AD worth buying. While this strip
doesn't make quite as much an impact as their last Strontium Dog story - which
was far more dramatic - it showcases the humourous possibilities of the strip
very well. Sternhammer makes a welcome return, and it feels like we're reading
a long lost classic strip from the 80's. Once again - the Rogue Trooper team could
learn from this. Just a pity the art couldn't be in colour...
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Script:
Gordon Rennie
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Pencils:
Mike Collins
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Letters:
Tom Frame
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Inks:
David Roach
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| What
Lies Beneath - Part 4
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| Review:
Hmm - I can see the reasoning behind bringing back the old style Rogue Trooper
- after all he was a mainstay during the best years of the comic. Unfortunately
this relaunch has all of the worst aspects of the old style - without any of the
interesting aspects of the new Rogue. Writers seem to be forgetting that Gibbons'
remake was actually extremely good in the beginning, offering an interesting take
on an old character. This story is just a lazy rehash of a 15 year old storyline
- with truly awful dialogue "Now we go back on-mission. Stay Rogue until
we find the Traitor General". Dire. Is this really the same writer who wrote
the preceding Dredd story?
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Best Story:
Strontium Dog.
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